Hyperspace Boy Wonder Seven is a fictional tokusatsu, mentioned in TV series Giant Robot Mikazuki. This single 25-minutes episode of the "Wonder Seven" was released in 2001 as bonus with the "Tekkōki Mikazuki" DVD-box.

A forever young teenager and an immortal warlord quest for The Salamander Cross; the one thing that will allow one to destroy the other for good.

Ninja the Wonder Boy is a 1984 film cut from the 1979-1980 anime series Manga Sarutobi Sasuke.

"Wonder Boy for President," tells a story of a charismatic young man from the Eastern Cape who is coerced into running for president by two corrupt characters. It is a political satire that delves into political dynamics and challenges that arise.

Manyaa The Wonder Boy. This is a Marathi film that beautifully presents the story of a champion who hails from a remote village in Maharashtra.

In the early 1920s, Louis B. Mayer brought a young Irving Thalberg to Hollywood to trouble-shoot some problems at the film studio. Soon, this Boy Wonder proved to be a visionary of gigantic stature who left an indelible mark on Hollywood.

An 11-year-old kid growing up in "the hood" secretly dreams of trick-or-treating as Wonder Woman for Halloween.

Comparable to a colour organ, in which visual effects are produced when a musical key is struck, this film is a journey to the world of cells and structures. Music and sound, sequences of colour and movement, tones and rhythmised oscillations: abstract animation. In order to create the film Wonder, animation artist Mirai Mizue uploaded a one second film, or more specifically, 24 pictures on the Internet every day, on 365 consecutive days. Like a trapeze artist without a safety net, he refrained from using a storyboard and relied solely on his intuition. Along with the orchestral group Pascals, he breathed life into the cells. The direct liaison between painting and film has been an important testing ground for artists since the early days of film history. The most significant representatives of the particularly strong experimental movement of abstract and absolute film in the twenties and thirties, were Walter Ruttmann, Oskar Fischinger and Hans Richter. This work by Mirai Mizue forges an artistic arc to the present day.

A gang of prison inmates escape to do a job at the Royal Mint, with only the time of the Cup Final to get back into the Scrubs.

A diverse group of six pregnant women, who are on their way to becoming mothers but are plagued by misconceptions, confusion, and questions about pregnancy and childbirth. In their quest to know it all, they discover their identities and answers to their deep-seated problems.